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touching cold

by gallion

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  • Record/Vinyl + Digital Album

    180g black vinyl

    Includes unlimited streaming of touching cold via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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      €7 EUR  or more

     

  • Full Digital Discography

    37
    releases

    Get all 37 magnetisme obscur releases available on Bandcamp and save 35%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Roundfacer, YOAKE, BCLR, bobby blue, atimossinos, ambient works, reign array, after the symposium, and 29 more. , and , .

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1.
unatural 02:07
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2.
iron home 04:36
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3.
read signs 03:18
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4.
flames for angels 03:55
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5.
life above 03:26
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6.
gold thieves 03:10
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7.
ritual 03:00
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8.
slowly slide 04:32
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about

"touching cold" is the second studio album from gallion. 8 tracks exploring more tenebrous areas of music and largely impregnated with an imagery of ancient rituals and medieval life. it makes a greater usage of percussions (gong and timpani). I think that the track "unatural" which I describe as "metalwave" gave the sound orientation of the whole album when starting mixing.
Except "gold thieves" which contains an incredible drummer performance, tracks are rather low tempo and invite to a calm listening experience oscillating between darkness and more luminous moments with each tracks.
most of the songs were composed around 2011, recorded in Lyon in 2012 and mixed end of 2013 at Kerwax studios in French Britany using an old and unique philips polygram mixing console.

credits

released October 1, 2014

All tracks composed by Frank Fargo
Mixed and mastered by Christophe Chavanon at Kerwax Studios

license

all rights reserved

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about

magnetisme obscur image

magnetisme obscur Lyon, France

cpslrecords is run by Frank Fargo. It is the hosting label for magnetisme obscur, william boy, gallion, biagio corsi, capsule metal, zorbal and bradnbury.

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